石家庄学院学报

20世纪40年代,在沦陷区特殊的政治语境下,北平有识文人积极探索文学启蒙的理路,呼吁以文化的复兴重振民族精神。此时,大后方、解放区倡导的"文艺大众化"为北平文人提供了文学启蒙的理论借鉴,北平文坛也随即展开了关于"文艺大众化"问题的讨论。北平文坛推行"文艺大众化"的启蒙方略,强调文学内容与形式的民族性,一定程度上显示出北平有识文人的民族立场,间接反戈了日伪殖民意识形态。就文学启蒙话语的建构方式而言,"文艺大众化"无疑暗示出北平文人的启蒙立场的转变,在民族救亡的共同呼吁下,北平文坛倡导的"文艺大众化"的启蒙理路与大后方、解放区推行的"文艺大众化"运动构成了呼应。

In the 1940 s, in the special political context of the occupied areas, scholars in Peiping actively explored the rationale of literary enlightenment and called for the revival of culture to revive the national spirit.At this time, the "popularization of literature and art" advocated by the Great Rear Area and the Liberated Areas provided a theoretical reference for literary enlightenment for the literati in Peiping, and the Peiping literary circle immediately launched a discussion on the issue of "popularization of literature and art". The enlightenment strategy of "popularization of literature and art" in the literary world of Peiping emphasizes the nationality of literary content and form, which to a certain extent shows the national stance of knowledgeable literati in Peiping,and indirectly opposes the Japanese colonial ideology. As far as the construction of literary enlightenment discourse is concerned, "popularization of literature and art" undoubtedly implies a change in the enlightenment standpoint of the literati in Peiping. Under the common appeal of national salvation, the enlightenment principle of "popularization of literature and art" advocated by the Peiping literary circle has been implemented in the Great Rear Area and the Liberated Areas. The "popularization of literature and art" movement constituted an echo.