石家庄学院学报

崔颢是开元、天宝年间知名的诗人,时人将其与王维并举,《旧唐书》和《新唐书》也在对其品行存有微辞的同时,一致认可他在当时的文坛声名。但是,由于存留至今的崔颢诗作数量有限,也可能鉴于史书立传时对其人品有所质疑和否定,所以今人对于崔颢及其诗歌的研究大多集中于其代表作《黄鹤楼》一诗。实际上,若以诗人作品中的几个典型地标为切入角度,以行踪为经,以思绪为纬,从盛世背景下的士人理想、佛学的兴盛和渐露端倪的历史转向等三个层面加以考察,可以对崔颢其人其诗有更多的认识。

Cui Hao, a well-known poet living in Kai-yuan and Tian-bao years of Tang Dynasty, has been valued as important as Wang Wei at that time. Although there are some criticisms about his behaviors in history books, his literary talent was thought highly of. However, due to a limited number of his remaining poetry and the criticism metioned above, the majority of researches on Cui Hao and his poetry tend to focus on the masterpiece Huanghelou. In fact, if we pay attention to several typical landmarks in Cui's poetry under the background of the scholars' ambitions in the glorious age of Tang Dynasty, as well as considering a trend of Buddhism and a kind of subtle change throughout history, we may have some deeper understanding of Cui Hao's mind and his poetry.