石家庄学院学报

我国流寓文学实践虽滥觞于诗骚时代,但自觉将流寓作为一种研究视角引入文学文化研究,则始于世纪之交,盛于2012年后。蒋寅、张学松、蔡平等人纷纷撰文申述流寓文学的定义、内涵、研究视阀与价值意义等。晚唐文学领域内,在既有的贬谪文学、文学地理学等研究基础上,近年来出现了少数自觉以流寓视角开展的具体研究,但无论是覆盖面还是研究深度尚嫌不足。时至当下,关于流寓与流寓文学的定义和内涵的争议尚未解决,更缺乏凸显时代因素的具体研究作为支撑。晚唐流寓文学研究同时兼备了可行性、重要性、必要性与典型性的特点。

Although the practice of Exile Literature in my country originates in the era of the times of the Book of Songs and Songs of Chu, consciously introducing exile as a research perspective into literary and cultural studies begins at the turn of the century and flourishes after 2012. Jiang Yin, Zhang Xuesong, Cai Ping and other scholars all wrote articles on the definition, connotation, research perspective and value significance of literature. In the field of late Tang Dynasty literature, on the basis of existing studies of derogatory literature, literary geography, there have been a few specific studies consciously carried out from the perspective of exiles in recent years, but both the coverage and the depth of researches are still insufficient. Until now, the disputes about the definition and connotation of exile and exile literature has not been resolved, and there is a lack of specific research that highlights the factors of the times as support.